-You have talked, in relation to the different formal variations of your work, about families. There are several families in this exhibition; one of them is “DE SOMNIS”. -The title “De Somnis” refers to a state of mind occurring while one is working which is evocative of the process of dreams. It has made me […]
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Observations Signed on front, in oil, lower centre-right corner: “Palazuelo” Exhibitions GALERÍA SOLEDAD LORENZO 1994, n/c, col. ill. p. 28 CASA DEL CORDÓN 1994, n/c, col. ill. p. 50 Literature ÁNGEL LUIS PÉREZ VILLÉN, “Pablo Palazuelo: matriz de intuiciones”, Lápiz, Año XII, No. 105, Madrid, Verano [summer] 1994, quoted p. 76 JUAN MANUEL BONET, “Pablo […]
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(…) In the works titled “El número y las aguas” [The Number and Waters], the signs represent another phase of the inquiry into what drives the process of formation within matter on a physical level, which later becomes perceptible to us in the forms of nature. I would define an artist as the nature that […]
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Exhibitions Museo Español de Arte Contemporáneo, VII Salón de los 16, Madrid, 11 May-June 1987, n/c, col. ill. p. 108 (titled: “Difronte nº 1”; dimensions: 230 x 262 x 86 cm). Siège du Conseil de l’Europe, “L’Art pour Europe: Sculpture Espagnole Contemporaine”, Strasbourg, 31 January-30 May 1989, n/c, col. ill. p. 35 (dimensions: 230 x […]
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Exhibitions GALERÍA FERNÁNDEZ-BRASO 2011, n/c, col. ill. pgs. 70-71. col. ill. on front cover and general view p. 59. quoted p. 41 Literature CARMEN BONELL 2006, quoted p. 148
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“PAISAJES” It is nature that sets before us the really beautiful landscapes, perceived to a greater or lesser degree by the supposed admirer, who does not ask himself, or investigate, asking the landscape the reason for such beauty, that is, if the idea of the beauty of the earth has any meaning for him. Then […]
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Observations Signed, titled and dated on reverse, upper left corner of canvas: “Palazuelo”; underneath: “RED III 1993-94” Exhibitions GALERÍA SOLEDAD LORENZO 1994, n/c, col. ill. p. 17 (dimensions: 220 x 171 cm) CASA DEL CORDÓN 1994, n/c, col. ill. p. 59 (dimensions: 220 x 171 cm) MUSEO DE PASIÓN 2012, n/c, col. ill. p. 42 […]
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Observations Signed on front, in oil, lower centre-right corner: “Palazuelo” Signed, titled and dated on reverse, in marker, upper left corner of canvas: “Palazuelo 1993”, underneath: “RED I” Exhibitions PALACIO DE LOS CONDES DE GABIA 1994, n/c, col. ill. unpaged, p. 41 (dimensions: 228 x 158.5 cm) GALERÍA SOLEDAD LORENZO 1994, n/c, col. ill. p. […]
Read more-You have talked, in relation to the different formal variations of your work, about families. There are several families in this exhibition; one of them is “DE SOMNIS”. -The title “De Somnis” refers to a state of mind occurring while one is working which is evocative of the process of dreams. It has made me […]
Observations Signed on front, in oil, lower centre-right corner: “Palazuelo” Exhibitions GALERÍA SOLEDAD LORENZO 1994, n/c, col. ill. p. 28 CASA DEL CORDÓN 1994, n/c, col. ill. p. 50 Literature ÁNGEL LUIS PÉREZ VILLÉN, “Pablo Palazuelo: matriz de intuiciones”, Lápiz, Año XII, No. 105, Madrid, Verano [summer] 1994, quoted p. 76 JUAN MANUEL BONET, “Pablo […]
(…) In the works titled “El número y las aguas” [The Number and Waters], the signs represent another phase of the inquiry into what drives the process of formation within matter on a physical level, which later becomes perceptible to us in the forms of nature. I would define an artist as the nature that […]
Exhibitions Museo Español de Arte Contemporáneo, VII Salón de los 16, Madrid, 11 May-June 1987, n/c, col. ill. p. 108 (titled: “Difronte nº 1”; dimensions: 230 x 262 x 86 cm). Siège du Conseil de l’Europe, “L’Art pour Europe: Sculpture Espagnole Contemporaine”, Strasbourg, 31 January-30 May 1989, n/c, col. ill. p. 35 (dimensions: 230 x […]
Exhibitions GALERÍA FERNÁNDEZ-BRASO 2011, n/c, col. ill. pgs. 70-71. col. ill. on front cover and general view p. 59. quoted p. 41 Literature CARMEN BONELL 2006, quoted p. 148
“PAISAJES” It is nature that sets before us the really beautiful landscapes, perceived to a greater or lesser degree by the supposed admirer, who does not ask himself, or investigate, asking the landscape the reason for such beauty, that is, if the idea of the beauty of the earth has any meaning for him. Then […]
Observations Signed, titled and dated on reverse, upper left corner of canvas: “Palazuelo”; underneath: “RED III 1993-94” Exhibitions GALERÍA SOLEDAD LORENZO 1994, n/c, col. ill. p. 17 (dimensions: 220 x 171 cm) CASA DEL CORDÓN 1994, n/c, col. ill. p. 59 (dimensions: 220 x 171 cm) MUSEO DE PASIÓN 2012, n/c, col. ill. p. 42 […]
Observations Signed on front, in oil, lower centre-right corner: “Palazuelo” Signed, titled and dated on reverse, in marker, upper left corner of canvas: “Palazuelo 1993”, underneath: “RED I” Exhibitions PALACIO DE LOS CONDES DE GABIA 1994, n/c, col. ill. unpaged, p. 41 (dimensions: 228 x 158.5 cm) GALERÍA SOLEDAD LORENZO 1994, n/c, col. ill. p. […]
