In this new family of paintings I have tried, on the one hand, to put an end to the dichotomy between form and background, and on the other to do away with closed forms adjacent to other closed forms. The lines that delineate these forms shall in turn be forms, since they widen at a […]
Read moreIn this new family of paintings I have tried, on the one hand, to put an end to the dichotomy between form and background, and on the other to do away with closed forms adjacent to other closed forms. The lines that delineate these forms shall in turn be forms, since they widen at a […]
Exhibitions IOLAS VELASCO 1973, cat. No. 15, n/r, quoted cat. unpaged MUSEO DE PASIÓN 2012, n/c, col. ill. p. 34 Literature CLAUDE ESTEBAN 1980, b/w ill. p. 208 (“El taller de Monroy”)
